28/31
Diane Kruger replaced Léa Seydoux in her role
Karsh, an innovative businessman and grieving widower, builds a device to connect to the dead in a shroud.
Quoted in Film Junk Podcast: Episode 961: In a Violent Nature + TIFF 2024 (2024)
At its core, it’s not a bad film, the problem is that the base is made up of so many ideas and arguments that it’s hard not to get lost in all the chaos.
It’s a critique of technological advancement, artificial intelligence, privacy and spyware, (experimental) surgery and health, the Chinese, capitalism, the rich, modern society, etc
Bad writing doesn’t help, dialogue can be silly or just mere exposition, the story jumps sloppily between characters and plotlines, and I know (or at least think) that some of the dialogue is self-aware and doesn’t take itself seriously, which makes it cheesy, funny (the audience laughed from time to time), and frankly funny.
You can call this a “so bad it’s good” film, at least that’s how I see it, I certainly didn’t suffer
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